1. Crudo Means Raw: Hailing from Medellín, Crudo Means Raw is a prominent producer and MC. Known for his raw and organic sound, he combines hard-hitting beats with powerful, direct lyrics. His music, often described as “Colombian Gold,” has earned him widespread acclaim and chart-topping success.

2. Mabiland: As a leading female voice in Colombian Hip Hop, Mabiland blends sultry vocals with soulful R&B beats. Her music showcases a softer side, while maintaining a strong and empowered presence. Her unique style and powerful lyrics challenge gender norms within the genre.

3. Alcolirykoz: This trio from Medellín delivers a fresh take on old-school Hip Hop. Their sound incorporates vintage samples and energetic beats, drawing from salsa, bolero, jazz, and soul. Known for their clever and quirky lyrics, Alcolirykoz offers a comedic perspective on everyday life.

4. Rap Bang Club: This duo blends R&B and rap to create a smooth and soulful sound. While their music is undeniably vibey, they also address Colombia’s political issues in their lyrics. Their unique sound and socially conscious themes have earned them a place among Colombia’s Hip Hop elite.

5. Ali Aka Mind: This MC’s bolero-inspired melodies provide a foundation for his intricate and socially conscious rhymes. His profound lyrics have garnered him recognition throughout Latin America. In addition to his musical talent, Ali Aka Mind’s music videos showcase his keen eye for visual arts.

Here’s a look at some of the leading Colombian artists who are shaping the sound of modern reggaeton:

J Balvin:

Universally recognized as a leading figure, José Álvaro Osorio Balvín, known as J Balvin, is an award-winning Colombian reggaeton icon. He holds the distinction of being the first Latin artist to surpass one billion views on YouTube, a testament to his global appeal. Often referred to as the “Prince of Reggaeton,” J Balvin has garnered numerous accolades for his successful career and his role in popularizing reggaeton worldwide. His breakthrough in 2014 with “6 AM” featuring Puerto Rican artist Farruko marked a significant moment. Tracks like his Latin Grammy-winning “Ay Vamos,” which also became the first reggaeton song to hit a billion YouTube views, and his 2018 hit “Mi Gente,” which topped Spotify’s Global Top 50 Chart as the first Spanish-language song to do so, underscore his massive impact.

Maluma:

Juan Luis Londoño Arias, known globally as Maluma, is another Colombian reggaeton superstar with a massive following across Latin America and Europe. He embarked on his musical journey at a young age, achieving success on Latin American charts even before signing with a major label. His debut album, “Magia” (2013), featuring the popular track “Obsesion,” which boasts over 200 million YouTube views, marked the beginning of his global ascent. Since then, Maluma has released numerous successful albums, solidifying his international fanbase. His recent album, “#7DJ (7 Días en Jamaica),” released in early 2021, continues to climb the Spanish-language charts.

Manuel Turizo:

Manuel Turizo Zapata, also known as MTZ, began his musical journey at just 13, influenced by his musician father and brother. He rose to widespread fame in Latin America in 2016 with his chart-topping single “Una Lady Como Tu.” Within a year of its release, the song garnered over 200 million streams on Spotify and a billion views on YouTube. His collaboration with Puerto Rican singer Valentino on “Besame” further highlighted his rising star, earning him a spot on Billboard Magazine’s “10 Latin Artists To Watch in 2018.” In 2019, he was recognized as the Best New Latin Artist at the iHeartRadio Music Awards. Notably, he also participated in Billboard’s “Concert of a Cause” in March 2020 to support the non-profit organization MusiCares.

Karol G:

Carolina Giraldo Ramírez, known professionally as Karol G, is a prominent Colombian singer-songwriter and television personality. Her career began with an appearance on The X Factor, leading her to a record deal with Universal Music Latino in New York in 2014. Her debut album, “Unstoppable” (2017), debuted at the top of Billboard’s Latin charts, featuring the hit single “Ahora Me Llama” in collaboration with Puerto Rican artist Bad Bunny. The following year, she won the Latin Grammy Award for Best New Artist. Throughout her career, Karol G’s work has received over 50 award nominations, and she has won numerous accolades from the Billboard Latin Music Awards, Heat Latin Music Awards, Premios Juventud, and Premios Lo Nuestro.

Farina:

Farina Pao Paucar Franco holds a significant place as one of the pioneering women in Colombian reggaeton. In a genre often dominated by male artists, Farina broke barriers, becoming the first woman to make reggaeton music in Colombia in 2005. Her talent and impact were recognized in 2015 with a nomination for Best Female Artist at the Heat Latin Music Awards, alongside global superstar Shakira. In 2017, she further solidified her position by becoming the second Colombian artist to sign with Jay-Z’s Roc Nation. Currently managed by Sony Latin Music, Farina continues to produce impactful reggaeton music and collaborate with various artists, including J Balvin, Nacho, and Rayo y Toby.

Lalo Ebratt:

Eduardo Mario Ebratt Troncoso, known by his stage name Lalo Ebratt, is a rising Colombian reggaeton artist. He initially gained recognition as a member of the hip-hop project Trapical Minds before embarking on a successful solo career. As a lead artist, Lalo Ebratt is best known for his hit song “Mocca.” The music video for “Mocca” reached over 211 million views on YouTube in 2018, the same year a remix featuring J Balvin was released, further amplifying his reach.

Conclusion:

Reggaeton’s infectious rhythms and catchy melodies have cemented its status as a leading music genre worldwide. Colombian artists have played a pivotal role in this global phenomenon, captivating audiences with their unique styles and undeniable talent. While male artists have historically dominated the genre, the increasing prominence of female artists like Farina and Karol G signifies a dynamic and evolving landscape. The continuous innovation and global success of these Colombian reggaeton artists ensure that Colombia remains a vital and influential force in the ever-expanding world of urban music. For those interested in collaborating with these artists, it’s important to note that each artist typically has representation for business inquiries such as concerts, endorsements, and music videos.

Ryan Castro’s journey to international music stardom is a testament to perseverance and a lifelong passion for music. Even as a 17-year-old in Medellín, Colombia, Castro was a determined young man. He took to the streets and buses, armed with a small stereo, joining the vibrant mix of vendors and performers in the city’s bustling tourist areas. For Castro, this wasn’t just a way to earn a living and support his family; it was also an investment in his dream, as he diligently saved his small earnings to one day record his own music. “I’ve always been set on what I wanted,” the now 30-year-old artist shared in a recent interview.

Today, a world away from those early performances, Castro reflects on his journey from his living room, adorned with platinum records for his global hit “Quema,” a collaboration with Peso Pluma. He expresses his gratitude for the opportunity to work with Peso Pluma, acknowledging him as a leading figure in Latin music. The reggaeton track not only soared onto the Billboard Hot 100 but also showcased a different facet of Peso Pluma’s artistry beyond his signature Mexican corridos.

Castro attributes the success of their collaboration to “the mutual respect and admiration we have for each other,” emphasizing this as a crucial element for any successful artistic partnership. Peso Pluma himself echoes this sentiment, admitting to being a long-time admirer of Castro’s work, even before his own career took off. He even sought out Castro in Colombia to deepen his understanding of reggaeton, highlighting the impact of Castro’s music on his own experiences.

Beyond his hit with Peso Pluma, Castro has built an impressive resume of collaborations with some of the biggest names in música urbana. He featured on Feid’s 2021 track “Monastery,” was invited by Karol G to open her Bichota Reloaded Tour in Medellín in 2021, shared the stage with J Balvin at the 2022 MTV VMAs, and recently teamed up with Maluma for a track on his 2023 album “Don Juan.” This incredible trajectory marks a significant departure from his days as a busking teenager. However, Castro remains grounded, emphasizing that every part of his past continues to shape his art and career. “I want to carry it forever so I don’t forget where I come from,” he states.

His upcoming debut album, “El Cantante del Ghetto,” is deeply inspired by his upbringing in Pedregal, his humble neighborhood. He describes the album as an ode to the community that first supported him. “They were my first fans, the first people who listened to me and I will always carry them in my heart,” he says. The album builds upon the success of his 2021 international merengue hit “Mujeriego” and his subsequent EPs, “Reggaetonera” and “Los Piratas,” both released the following year. While his core strength lies in classic reggaeton reminiscent of the early 2000s, characterized by infectious percussion and signature airhorns, Castro is not afraid to experiment. “El Cantante del Ghetto” promises a fusion of dancehall, rap, reggaeton, and other genres that have influenced him.

Born Bryan Castro Sosa, he was raised in Medellín by his mother’s cousins and the close-knit community of his neighborhood. From a young age, he harbored dreams of becoming an artist. With the support of his friends from his barrio, Castro channeled his energy into creativity, providing an alternative to the prevalent crime in his city. He acknowledges the temptations he faced, hinting at the drug trade that dominated Medellín for decades.

However, by the age of 13, Castro found himself drawn to the stories of artists who had risen from similar circumstances, particularly through biopics like Eminem’s “8 Mile” and 50 Cent’s “Get Rich or Die Tryin’.” He identified with their journeys of escaping poverty through music. “Instead of picking up a gun, they picked up a pen to write,” he reflects. Inspired, Castro began writing his own songs and sharing them on YouTube.

A pivotal moment came a few years after he started busking when Castro moved to Curaçao to live with his mother. This experience exposed him to new musical styles and cultures, including danzón and kizomba, which subtly influenced his songwriting. In 2017, his tropical love song “Morena” went viral in Colombia, marking a turning point in his career and earning him a dedicated fanbase in his homeland. “I returned to Medellín from Curaçao and then I was already ‘a bit famous,'” he recalls with a laugh.

Castro readily acknowledges the Colombian artists who paved the way for his success, particularly those from his native Medellín, including J Balvin, Karol G, Maluma, Feid, and Blessd. “They made a path for us,” he says, recognizing their role in establishing Colombia as a global force in urban music. “For us new Colombian artists, we can say we’re from the same land as Balvin and the whole world knows.”

Looking ahead, Ryan Castro is focused on building a lasting legacy and continuing the tradition of supporting emerging talent in Colombia. “I want to work with the new generation too so that the genre can continue in Colombia,” he affirms, demonstrating a commitment to the future of Colombian music. His journey from the streets of Medellín to the global stage is an inspiring story of ambition, resilience, and the transformative power of music.

Pioneering Voices and Influential Sounds:

For many, the name Doble Porcion resonates deeply within Colombian rap. Formed by the talented duo of Santiago Marín Villa (Métricas Frías) and Julián Cañas Molina (Mañas Ru-Fino) in 2011, they became known for their authentic boom bap sound and intricate lyricism. Their work has undoubtedly influenced a generation of artists.  

Since 2011, N. Hardem has also been a consistent force, drawing inspiration from the raw energy and narrative depth of 1990s underground rap. His projects often delve into personal experiences and social commentary, adding a crucial layer to the Colombian rap narrative.  

Diverse Expressions and Emerging Talents:

Beyond these established names, a diverse array of artists continues to enrich the scene. Los Nandez, Boom Full Meke, and One Mic are among those contributing their unique perspectives and styles to the Colombian rap soundscape. While information on these artists might be less readily available, their presence underscores the breadth and depth of the movement.  

On the potentially newer or more underground side, La Contrasena represents the ever-evolving nature of the genre, hinting at fresh voices and perspectives yet to be fully discovered by a wider audience.

International Connections and Cross-Cultural Influence:

The impact of Colombian rap extends beyond its borders. Tres Coronas, formed in 2001 by Colombians P.N.O. and Rocca alongside Dominican DJ Negro, found its footing in the bustling hip-hop scene of New York City. Their success highlights the ability of Colombian artists to connect with global audiences and contribute to the broader hip-hop conversation.  

A Scene Continually Evolving:

The Colombian rap scene is far from static. It’s a dynamic ecosystem of artists, producers, and fans constantly pushing boundaries and exploring new sonic territories. From the foundational sounds of boom bap to more contemporary styles, Colombian rappers are using their voices to reflect their realities, share their stories, and contribute to the rich tapestry of Colombian culture. As new artists emerge and established figures continue to innovate, the future of Colombian rap promises to be just as compelling as its past.

Estéreo Picnic 2025: Hip Hop Artists to Watch

The upcoming Estéreo Picnic in 2025 promises a vibrant showcase of Hip Hop talent, both international and local.

From the United States, JPEGMafia, a respected rapper and producer, is set to deliver his unique sound to the Colombian audience.  

Colombia’s own scene will be represented by several noteworthy artists. Kei Linch, a charismatic rapper, singer, and songwriter, known for her insightful lyrics, will bring her talent to the festival stage. The Petit Fellas, while blending genres like jazz and rock, originated from the Hip Hop project of Nicolás Barragán, also known as Pet Fella, and their alternative sound continues to resonate. Medellín’s Rascal (Granuja), a celebrated rapper and producer, will showcase his innovative approach to Colombian Hip Hop. Adding to the local flavor is Soul AM, a producer also hailing from Medellín, recognized for his experimental soundscapes.  

Estéreo Picnic 2024: A Look Back at the Hip Hop Highlights

The 2024 edition of Estéreo Picnic also featured a strong lineup of Hip Hop artists, demonstrating the genre’s growing presence at the festival.

Argentina’s Nicki Nicole, a prominent figure in the trap scene, captivated audiences with her powerful performances. From the US, actor and rapper Jaden Smith brought his musical artistry to the stage. Fellow Argentine artist YSY A, a well-known rapper, producer, and freestyler, also delivered a memorable set. American singer-songwriter SZA, while rooted in R&B, brought her unique style to the festival. Oblivion’s Mighty Trash, a young rapper with a following in both Colombia and Argentina, also performed.

Colombia’s rich Hip Hop landscape was showcased by iconic groups like La Etnnia, a long-established and influential rap collective. Rising Bogotá artist Penyair shared his compelling rhymes, while Irepelusa offered a fusion of Caribbean rhythms with Hip Hop, R&B, and neo-soul. Homie!, a project from Manizales, presented his unique musical blend. Bogotá rapper Ruzto, a member of Aerophon Crew, also took the stage. El Kalvo, an MC known for capturing the essence of Bogotá in his lyrics, connected with the local audience. Finally, Selene, an emerging talent from Bogotá’s underground scene, offered a glimpse into the future of Colombian Hip Hop.  

Estéreo Picnic continues to evolve, embracing the dynamic energy and diverse voices within the Hip Hop genre, making it a must-attend event for music enthusiasts in Colombia and beyond.

Hip Hop al Parque offers a vibrant mix of rap performances by national and international artists, freestyle competitions, breakdance battles, graffiti art displays, and educational forums. It’s a space that promotes youth involvement and a sense of community through hip-hop culture.

The District Institute of Recreation and Sports shared the 2025 dates for all the Festivals al Parque in Bogotá.

As in previous years, entry to Hip Hop al Parque will be free, making it accessible to everyone.

Keep an eye out for the official artist lineup and more details on the schedule and special guests, which will be announced soon by the District Institute of the Arts on the festival’s social media. Stay tuned for updates!

#Bogotá #Colombia #HipHopAlParque

You might also be interested in:

• Hip Hop al Parque 2025 in Fontibon (August 16th)
• Other Dance events in Santafé de Bogotá
• Other Entertainment events in Santafé de Bogotá
• Other Festivals in Santafé de Bogotá

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Seleccionamos algunas grabaciones icónicas del hip hop colombiano y, como suele hacerse en este tipo de listas, no pretendemos decidir cuál es la mejor o la más influyente. Nuestro objetivo es simplemente ofrecer un recorrido cronológico por la historia del rap hecho en Colombia, con el fin de recordar o descubrir canciones memorables dentro de un paisaje sonoro lleno de líricas y beats nacidos en esta tierra.

Desde Barranquilla hasta Cali, cruzando por Bogotá y Medellín, y haciendo escalas en el Chocó y hasta en París, el rap ha echado raíces en nuestra cultura desde que llegó con los polizones del Atlántico y el Pacífico, con películas como Beat Street o con los ecos del reggae panameño que cruzaban el Tapón del Darién con voces como las de El General, Nando Boom o Renato. Décadas después, el rap sigue vivo entre nosotros, y seguirá mientras artistas como los hermanos Pimienta, Gambeta, Ali, Tostao o Rocca mantengan viva la llama.

La Etnnia
El ataque del metano
1995

Gotas de Rap

Revolución

1997

Asilo 38

La hoguera

2000

Tres Coronas

Mixtape

2001

Flaco Flow y Melanina

Polizones

2004

Laberinto ELC

A mitad del camino

2006

Ali AKA Mind

Palabras del alma

2012

No Rules Clan

Rap nativo

2012

Superanfor

Santa Barbarie

2012

Systema Solar

La revancha del burro

2013

Born in Barranquilla, Colombia, Ephniko moved to Florida at 14. His love for music began early, thanks to his uncle’s collection of cumbia and salsa records. Those vibrant rhythms shaped his youth, but once in the U.S., hip-hop captured his attention, becoming his creative home.

Blending music with education, he studied anthropology at Florida International University before committing fully to his music career. He took on the stage name Ephniko, short for “Eternally Producing History Never Ignoring Knowledge,” reflecting his mission to fuse art with awareness.

“People used to call me étnico because of my mixed influences—Colombian, Asian films, French cinema, and hip-hop style,” he explained. “In New York, étnico sometimes sounds like Ephniko, and that’s how the name was born.”

Ephniko has performed across Latin America—Mexico, Peru, Bolivia, Costa Rica, Venezuela, and his native Colombia—bringing his sound and message to diverse audiences. He’s been part of collectives like Nag Champayons, Overground, and Nativos, merging anthropology and music to create socially conscious art.

Behind the Beat

When asked about his creative process, Ephniko says it starts with curiosity and a love for unusual sounds.

“I’m always digging for unique combinations. Imagine a mariachi violin over dubstep bass,” he says with a grin. “I like breaking molds.”

His production style often blends 90s hip-hop structure with exotic sound textures. He layers samples, sequences tracks with fellow musicians, and builds lyrics loaded with metaphor and meaning.

“In New York, I’d sample beats on a machine, then build progressions with producers, adding quantized rhythms and automation to keep that raw hip-hop energy.”

Sound and Society

Ephniko’s taste spans everything from traditional Colombian rhythms to electronic and industrial sounds. Cumbia and salsa, rooted in nature and ancestral storytelling, still inspire his compositions.

“Cumbia’s African roots and salsa’s connection to Cuban and Afro rhythms share something with hip-hop—they were born out of struggle,” he explains. “After 2000, I got into more digital soundscapes. Now everyone’s phone makes noise. Sound reflects society, and society reflects sound.”

He believes today’s world—fast, chaotic, and deeply interconnected—produces new sonic textures that mirror how we live. Whether it’s train-inspired techno from Europe or beach-born salsa, the rhythm tells a deeper story.

Hip-Hop as Critique

Ephniko’s lyrics dive into social themes—race, inequality, colonialism—but his approach is both critical and introspective.

“I question everything. Literature and hip-hop taught me that,” he says. “Being conscious means being skeptical. You can’t accept things just because they’re ‘normal.’”

He sees music as a tool for awakening. His lyrics explore hidden histories and systemic issues, from institutional racism to untold cultural legacies. But these days, he also aims for more hope and healing.

“It’s not just about criticizing society,” he says. “Without inner change, there’s no real progress. Internal peace is essential for collective peace.”

Culture as Compass

Ephniko’s anthropological background shapes his worldview. For him, culture is the foundation of perception—how we define and understand the world around us.

“Culture forms your first lens. It’s how you make sense of a ‘bird,’ even if you don’t know its species,” he explains. “Language gives you the bricks to build your vision of the world.”

By combining rap, culture, and critical thinking, Ephniko continues to inspire and challenge audiences across borders. His music isn’t just sound—it’s a story, a question, and a conversation.